7:47 pm
March 8, 2014
Well, scruff, you've gotta take perspective into consideration. Sean I think was the very first person on here whose stuff I listened to, and I became a huge fan of his nearly instantly. And for yours, since I thought your boasts were unfounded, I had lower expectations - expectations that you completely annihilated.
So, for Sean, I had really high expectations, and he met them. For you, I had lower expectations, and you exceeded them.
On one hand, like I said, I think it's all a matter of perspective. Then, on the other hand, it could be that I'm hearing your bits as a friend, and his as a fan... And by nature, fans are more critical than friends. Well, when it comes to subjectivity in art, that is.
If you're offended I didn't criticize you, I'm sure I could pick it apart and find something... But then again, even if I did, I'd be talking out my ass - because as I've made clear numerous times... I have the talent of a brick. What room do I have in criticizing anyone for doing shit I can't even dream of doing?
7:57 pm
March 8, 2014
Also, pardon the double post, but dammit I'm tired of EDIT: being at the end of every goddamn post I make, because I can't finish a thought within one post in one sitting...... lol....
I think I figured it out. Most of your bits on the CD are verses, and one full song. Now, that one song, "Why I Carry", I think I can agree is the weakest point of the album. BUT - That's not a diss on that specific track, that's a compliment to the rest of the songs. It's not a shitty song among mediocre songs. It's a good song that only pales a bit against the GREAT songs on the rest of the album. Now, with that in mind, maybe whatever flaws you have are evident on that song, because it's just you. On the rest of the album, perhaps those flaws you see in yourself are overcome by the artists you share those tracks with. In the same vein, Sean's got a lot of solo stuff. So maybe that makes his stuff easier to pick apart. Who knows?
8:00 pm
Moderators
May 22, 2012
ive never been sure if lucems diction is a stylistic choice, they way he sounds all the time, or if thats just the local accent.
across his works, i generally took those moments of incomprehensibility to be a natural result of the effects he uses. particularly with the chorus-type effects, which he uses pretty much invariably, and perhaps a bit more heavily than id prefer.
that however, is clearly stylistic choice.
awfully paranoid, arent you?
8:03 pm
March 8, 2014
Dammit. I'd edited my last post to say pretty much the same thing you just said, scruff, but when you posted as I saved the edit, the edit went bye-bye. Argh! lol.
The other observation I had was that his style lets him get away with some leeway in his wording, and if he pushes it too far, it becomes obvious - like you just pointed out, XIII.
8:07 pm
March 8, 2014
8:21 pm
March 8, 2014
8:21 pm
Moderators
May 22, 2012
i must admit, i cannot understand every word that danny brown or odb said.
lucem has improved noticeably, though. check his old shit out, if youve a mind to. i think he just gets a little over-ambitious with the syllables, when hes writing. a la faygo remembers. i tried to write something kinda similar to that, but gave it up when i couldnt cram more than a few names in. glad i did change up, it wouldve been lame to have the same gag on the same song twice.
awfully paranoid, arent you?
8:30 pm
March 8, 2014
8:39 pm
Moderators
May 22, 2012
9:02 pm
March 8, 2014
I think I thought of a potential reason for our disagreement here, XIII... As well as a juggalo, I'm a life-long metalhead. And when you delve into the various subgenres of metal, you can't understand 90% of the vocals unless you study the lyrics like they're part of a goddamn BAR exam. So even in other genres, I think (at first glance) I judge the music as a whole, rather than a sum of parts. But you're right, that's probably not the best way to judge a lyric-centric genre such as rap, where understanding the words is more important.
Though, side note, a good beat is more important than lyrics in any genre, in my opinion.
9:15 pm
Moderators
February 15, 2014
9:21 pm
February 7, 2013
9:28 pm
March 8, 2014
Oh, absolutely. And great example, using Triumph. One of my favorites as well. Sepultura at least is comprehensible. Not the best example of what I was referring to. Think more Cannibal Corpse's performance at the Gathering last year. I think the crowd understood maybe - MAYBE - twelve words? And that was just the shit between songs! ;)
You you make a good point apart from mine. Most metal is much more simplistically written. Ironically, most examples of more complex, meaningful writing in metal are by some of the least understandable singers. I've always found that hilarious.
Psyral, I think we discussed that at the campsite. I remember disagreeing with you about a beat being important, or something like that. So, er, if you "only hear the words"... If you listen to an instrumental, you hear silence? ;)
9:28 pm
March 8, 2014
9:39 pm
March 8, 2014
I tried to get into Nile awhile back... And simply couldn't get past the vocals. If you can transcribe any of their songs' lyrics with over 50% accuracy on the first attempt/listen, you're a better man than I. Just the first example to pop into my head.
Also regarding Triumph... I hate to point out that, despite being full sentences, correct grammar, and everything else you touted... A good percentage of the verses are pretty damn nonsensical. Not complaining, as I said, it's a fave of mine as well.
11:47 pm
Moderators
May 22, 2012
and cappas. u-gods.
none of those three have been noted for their ability to expound on topics. just rhymes. many fragments.
hell, half of u-gods verses are damn near haikus. sixteen bar lists of vowels.
interesting note about the metal vs rap background, regarding deciphering lyrics.
also, perhaps ive mentioned it already in response to psyrals pov, but if i had to pick, id haveta say the beat edges out the lyrics, most of the time.
astoundingly deep and thoughtful lyrics over a lame beat kills the song. or at least, takes a lot of replay away from it. think thy unveiling.
but standard ass, pedestrian rhyming [or maybe even less than that], over a slammin beat? i can still bump it for years. think 60% of the rest of icps songs. and about 80% of what they did before the sixth.
take post mortem boredom [please!].
underground til im underground has no verses at all, and yet just might be my favorite cut.
maybe. a hundred and nineteen listens later, im still not real sure how to rank most of it.
love the shit outta the intro, too. probably makes my top five all-time, among intros.
awfully paranoid, arent you?
1:46 am
March 8, 2014
Yeah, I mean, I've listened to too much Electronic/Trance/Dance/Industrial/Classical/Neo-Classical (fuck off if I forgot one. Predominantly instrumental genres, is my point) over the years to tolerate ANYTHING without a good beat. Hell, I've enjoyed certain acapella songs because they had a good beat, in their own way. I can even point out swing and big band examples that have a good beat... Polka, even. So it's not like I'm just talking drum beats, before somebody misinterprets me. Beat always comes first. It's the first thing you notice, it's the first thing that draws you in, it's what ties everything together. Even if I love a song's lyrics, I only came to appreciate the lyrics because the beat made me replay the song over and over.
Examples of songs with a beat that just drew me in, whether lyrics are good, or not, or don't even exist:
ASAP Rocky - Jodye, Prodigy - Mindfields, Lo Fidelity Allstars - Kasparov's Revenge, Blackmill - The Drift, Soulfly - Umbabarauma, 40 Below Summer - Self Medicate
Those are just some random picks, in no particular order.
10:28 am
Moderators
May 22, 2012
somehow, i missed a couple posts on the previous page. noticed em lookin back for the tbma reference.
entrappedmind said
Well, scruff, you've gotta take perspective into consideration. Sean I think was the very first person on here whose stuff I listened to, and I became a huge fan of his nearly instantly. And for yours, since I thought your boasts were unfounded, I had lower expectations - expectations that you completely annihilated.
expect to be disappointed, and you will never be disappointed.
If you're offended I didn't criticize you, I'm sure I could pick it apart and find something... But then again, even if I did, I'd be talking out my ass - because as I've made clear numerous times... I have the talent of a brick. What room do I have in criticizing anyone for doing shit I can't even dream of doing?
people do it all the time. nearly every time.
and, despite the cliche, theres nothing inherently false about criticism. unless you are falsely claiming to have some expertise that makes you an authority on what is good and what aint. as some are prone to doing.
in addition, entrappedmind said
I think I figured it out. Most of your bits on the CD are verses, and one full song. Now, that one song, "Why I Carry", I think I can agree is the weakest point of the album.
yep.
BUT - That's not a diss on that specific track, that's a compliment to the rest of the songs. It's not a shitty song among mediocre songs. It's a good song that only pales a bit against the GREAT songs on the rest of the album.
its filler.
Now, with that in mind, maybe whatever flaws you have are evident on that song, because it's just you. On the rest of the album, perhaps those flaws you see in yourself are overcome by the artists you share those tracks with. In the same vein, Sean's got a lot of solo stuff. So maybe that makes his stuff easier to pick apart. Who knows?
also, i got an insider point of view, which may work against objectivity.
breakin that down a lil... i know, cuz i was there for it, that sean whips up a lot of his shit in unbelievably rapid fashion. im talkin rough drafts in a couple hours, final verses in like a day. bein capable of that kinda output means you can do a lot of work, and being a worker is a huge plus, in the music biz. so he gets extra points for that.
LuckyNumbrXIII said
You can remix good lyrics till you find a good beat.
pretty rare that anyone does, though. [post-release, obviously]
even then, remixes only hold up about half the time, id say. and are only an improvement over the original about a third of the time. the wraith remixes illustrate this.
But a good beat can't give bad lyrics a feeling. That's in my mind though. Some people I'm sure it's the opposite.
for me, i dont get as much feeling from lyrics, unless the lyrics are hyper-poetic. even then, imagine a song like ldlha with a cheap, droning, inappropriate, generic beat. woulda hurt the emotional content quite a bit.
goes without saying that its better to have both. but if i gotta choose, great beats and average lyrics is the lesser of two evils.
awfully paranoid, arent you?
11:31 am
March 8, 2014
I've gotta drop out of this debate, I think our argument encompassing everything to do with criticism is overshadowing the work these folks put into the album. Criticism turned into a debate about criticism, and we got way the hell off topic - I lay the majority of the blame for that at my own feet. That ain't fair to everybody involved with PMB, and I apologize.
Back to the album itself, and so newcomers don't have to dig for the link... https://www.faygoluvers.net/v5/.....oredom-lp/
12:29 pm
September 18, 2012
I don't practice so I stumble more than I should, though I've never really kept anything that bad. The engineer will usually catch it too, tell me when I need to do it again.
And I guess I also have an accent.
And my vocals are distorted to all hell.
I'll work on fixing it.
Lucem Ferre, because I stabbed LTB
then hellishly beat twiztid killa as he yelled and screamed
with Nemo's severed spleen Wonka OD'd on emphetamines
ripped open Pat Joyce and watched the fella bleed
Violent dope hanging from a tightened rope
and Sean Law dying with a knife inside his throat
Sexy Lette's raped corpse buried inside a hole
next to Twiztid Raven both with binded skulls
Slumerican's axe to cut up ChiefLocc
cut PiggOfDoom's wrists and watched em bleed slow
and the stream flowed to PRJ's corpse, now he's soaked
devouring flesh, chewing on OMD's nose
Wow A Chick naked and rotting in the bed
demented smoka with blood clotting in his chest
and I was just here, talking with the dead
when Scruffy snuck up and shot me in the head
That is the verse for faygo remembers, which has no distorting effects at all on it.
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