Missing Link was good if you take all 3 albums and select the tracks that are good. Which leaves a lot of undesirables. I agree with Phantom and House of Wax, those were solid. I love those albums. I’m just saying no juggalos I know even heard of them lol. 

Which is why I think we need a primary release that can be crafted like House of Wax, with content like Phantom, preferably with more occult themes. 

Psychopathic Records lost it’s magic. Their artists are super boring. They’re trying to bring in new fans when they can’t even keep the current ones happy. I understand loyalty to a brand but these dudes need to get their heads on straight. Ouija sux and Lyte is garbage. What happened to focusing on ICP only? Oh blahblah did. Psychopathic is the most fake record label when it comes to questions being answered. ICP needs to stop smoking crack in a flint town titty bar bathroom and seriously listen to their fans.

cRyPtiC_tHe_CLoWn said
Missing Link was good if you take all 3 albums and select the tracks that are good. 

Scruffy had a dope idea that ICP should’ve used as a gimmick for the missing link albums (lost, found & mml outtakes). Similar to what you’re saying but releasing it that way knowingly. They could have released them and told people to “find their link” by creating they’re own missing link album in a playlist. Somewhat interactive. I think a lot of ninjas have their preferred songs out of the three. Personally, I really enjoy lost and found and a couple tracks from the outtakes. Psychopathic is still dope if you like ICP lol

j0shuakane said
i couldn’t disagree more.

dont ask me conveys a feeling i have lived by that i have never heard expressed in a song before. psychopathic soldier was an anthem we needed. electric kool-aid was provoking & unique. too dope was fuckin sweet especially with the uncle buck clip at the end.

 

lytes songs about success and living your dreams were spot on, you must be some kind of loser or hater to not appreciate them.

 

ouija macchas shown originality, lyrical ability, and theatrics so far. he puts full effort into what he does & it shows.

 

all more entertaining than mne’s attempts at violent music lol.  

I couldn’t disagree more with your statement either Ouija hasn’t shown originality, he’s a lackluster version of better shadow rap artists out there. 2dope’s album is the only good thing to come out in years, but that’s not the topic, the op asked what’s psy coming to. And nah Lyte is mad boring sorry but he’s corny and his voice is annoying as fuck maybe someone should chop and screw or something but based on the new artists and where the label is going… it’s disappointing to say the least.

Also you’re mne jab is stupid it had nothing to do with the topic. And your jab at me shows you’re a little punk bitch with a stretched out butthole so you can fit your Ouija and Lyte cds in em, unless you’re a torrent user in which case your loser ass opinion means nothing.

j0shuakane said
my mne jab was because they do not dare stray from what is stereotypical viewed as wicked shit, and is becoming increasingly more violent in trying to fill that void.

 

i find their new music lame and uninspired while psychopathics is different & inspiring.

 

i brought it up for comparison.  

“Do not dare stray” the artists on mne have creative freedom. Artists on psy need to groomed molded polished whatever the fuck to fit violent js hard on. This is purely speculation but I think lotus rydas and all the mad cool promotions that were going on at psy were major twiztid input even big money hustlas that’s why when they started falling out the label became lame with no new original ideas. Just look at triple threat that’s not ur stereotypical shit. And look at strange signing pop artists now. Psy don’t know what they’re doing anymore and I think it’s because twiztid had a huge influence there.

I know they have the freedom, they don’t have it in them. 

j0shuakane said
Let’s look at the timeline…

Jeckel bros comes out & twiztid joins. 

Aside from hells pit, shit went downhill. Sure, they are prolly responsible for that.

Now that they are gone, I find myself listening to psycopathics new music again.

 

I really listen more to graveyard productions, lil jack, bushpig, necro, lord infamous, brotha lynch, even new guys like ramirez & ghostemane put on a much better show.

Twiztid was always on some emo depressed shit. Their entertainment factor is 1 dimensional & lacking. Maddrox is the best mne has to offer, and even he cannot carry a solo album.  

True Jeckel Bros came out and twiztid was doing skits for it. Big Money Hustlas came out around the same time and twiztid cowrote it. Dark Lotus came out and twiztid brought that wicked shit more so than the rest according to violent j he didn’t even like that album. Rydas came out and twiztid wanted to make new shit under their rydas aliases I could be wrong on what name they wanted to use but remember that jam The Game Ain’t Got No Love For Nobody? SWK the project I was most looking forward to, squashed, why? I’m gonna say the label didn’t want to put it out. Freek Show dropped the same day as bizzar/bizaar then mirror mirror. Once again violent j didn’t like b/b either, that’s the clowns doing their cartoon serial slaughter shit anyway twiztid was featured on those albums and they did a great job. I can’t say the same for icps features on freek show at least not violent js verse on maniac killa I mean come on. I don’t know behind the scene shit or anything so I’m just going off the album’s and books and shit I bought. On Born Twiztid Beyond the Freek Show I think twiztid took offense to a comment j made. There’s so so so much more but the last thing I’ll bitch and moan about is the psy version of Gang Rags it’s terrible.

Oh and you and I like a lot of the same shit Ramirez, Ghostmane, Lynch all that good stuff. I just gripe about psychopathic bc I used to love em so much, blindly, but now I just want them to fix they shit