most likely, it would come off like a short version of that 50 states track.  posse cuts are difficult to get right, almost nobody does it well. 

just out of curiosity, who exactly do you mean by, 'all'?

Violentdope said:

I am starting out with the recording aspect of it all.I started an audio technology course at my  community college.I have been playing guitar for 15 years but never really learned theory or to read music.I was always bored by that but play more with feeling I guess.I have Pro tools SE and have been fucking around with it,recording acoustic stuff I make up.They have a pro tools course I want to take but its always fills up quick.I want to have a career in the music business someday but I have to start somewhere I guess.

so, are we worthy of any of these fuckaround recordings?

Violentdope said:

ya I can do guitar type shit but just learning how to use pro tools SE.not very good with it yet.

fair nuff. 

if you get somethin you like down, feel free to share. 

i cant play guitar worth a shit, but guitarists always think i can, when they see my hands.  if i need live guitar, i got a homie who lays it down for us. 

i am, also. 

far as what else youd need...  probably not much, assuming you can get quality vocal takes. 

is it 'load them clips fully' the loaded edition, or 'load them clips' the fully loaded edition? 

incidentally, im probably the only ninja you know who was firearms that actually use clips.  clips are widely considered archaic, and have been almost completely replaced by box magazines. 

...okay, now that im done being an asshole semanticist [my wry sense of humor, you know]...

technically, its good.  one thing id think about is some kinda insert or send/return effect on the snares [not the claps].  its clear to my ears that its one sample being played across the scale, it stands out a bit.  like it doesnt quite belong. 

at this point, the mix seems to be working.  after vocals are laid over it, it may need some tweaking.  i for sure wouldnt use much compression after the mixdown, the synths would probably start to flutter noticeably.

artisticly, i personally think that 808 style claps, and that tikkity-tikkity-tik-tik thing that ninjas like to do with snares, are both a bit overused.  its not a style that i try often, but some consider it fundamental. 

i like the bridge and changeup toward the end. 

all in all, the only real negative is that it does sound a little 'fruity loopy'.  thats forgiveable, depending on how the verses and/or choruses turn out.  actually, most of this criticism depends on how the vocals turn out. 

ChronicBudsmoka said:

thanx for the advise,

most welcome.

what would u use for an effect on the snare?

in the end, whatever rubs your ear the right way.  off the top of my head, id probably try some kinda dynamic eq effect, with keyboard tracking.  but thats just one of a zillion possibilities. 

I don't know much about effects at all or what any of them even do. School me a bit?!

give me a few minutes here, im gonna try to put together a superbasic effects primer.  

[edit]

I made the beat more so making fun of "trap" beats with overused snare and hat rolls.

i wondered if there might have been some deliberate irony built into it.