TheFvckinKreeper said
I think in terms of sheer storytelling capabilities Lo Key is unfuckwitable. It took me a minute to warm up to him because there was an epidemic of samesoundingness amongst artists in the horrorcore.com days, but even then I preferred him over his contemporaries like early Scum and Killa C.

My unpopular opinion on Loke is that he really came into his own with Shadowland and The Book of Time, albums that I joking refer to as ‘prog-horrorcore’. Fans in my circle, guys who got me listening, were turned off by the switch in style but at the time it was a breath of fresh air to me. I loved that there was suddenly an artist who was putting out fully realized composed pieces beyond just some ol’ wicked shit over a dope beat. He wasn’t afraid to play with the music and our preconceived notions of it, and that’s something this genre desperately needs. If Demon Days is anything to go by, it seems he’s reconciled these two aspects of his music so I’m eager to see what comes next.  

That’s what I’m saying. Not into the BOT and Shadowland at all but I know what your saying he can do more than just rap. I still remember hearing his follow me ep for the first time and every album since then thinking he was gonna blow up especially when solo came out. It just baffles me he never took off considering he can rap circles around everybody on psy and most of mne hell even strange. And the fact that violent j was being interviewed after American monster came out and was saying how fuckin dope it was and saying someones gotta sign this kid. Well wtf dude he’s had like three chances since then to sign him but never will cause he’s to good lol