is quiet.  

more pertinent, though…  get you some beats you own.  havin some random producer randomly droppin their random name randomly throughout the cut does absolutely nothing for ya.  

candidly, i think it makes a song sound lazy and cheap.  

[edit]  

typo fix.  

youve been collecting exclusive rights only since summer, yet have over 300 beats…?  

uh…  nah.  

you have a bunch of freebies and throwaways that everybody couldve had.  

and yeah, quiet as in all around.  i didnt listen long enough to really judge the mixing, but from impressions, id expect it needs work, too.  

you are allowed to look at the level meters, you know.  

jdubbya87 said
ok, I know how to count and I have a 3 man group throwing money and I made some beats as well and yeah we have nearly 300 LEASING and SOME exclusive beats

fine.  use em, if ya want.  

never claimed I spent $500 on 300 tracks for customs

i dont know what youre referring to.  

… On top of that if you didn’t listen through a 3 minute song to tell how the mix sounds how can you judge it?

scruffy said  
[just look above, its right up there]

I was simply coming hear hoping to find some new people to network with and work with maybe give some constructive insight, I’m perfectly content that this doesn’t sound like Post Mortem Boredom that does not bother me at all lol Sean Law is good but everyone else is mediocre at best which is cool

constructive insight.  

and the mixing is distortedly loud on those so do your thing.

and yet, your stuff is unusually quiet…  what does that suggest?  

what sorta setup are you using?