KMKs image is wat made subnoize wat it is...they didnt wanna be gangsta like la coka nostra or swollen does sometimes...kmk was just suburban rap and that made most hip hop fans hate them instantly....

without KMK it shouldnt be called sub noize, just tha noize....

once they put out coka nostra, glasses malone and saigon i was fuckin confused as hell as to why some of these urban hip hop artists were put out by suburban noize records lol...sub noize was punk rawk california hip hop, just about smokin weed, skateboarding and having fun...it started to seem like the label was half all bizness like swollen and saigon...and the other half was the family roster with groups like kmk and people like Big B...half the artists are just regular rappers and that label name doesnt fit them at all

srh is wat they are today becuz of kmk gaining popularity out here in cali with the first kingspade album....

that got all the suburban kids in cali on board to rep them and dress like them...myspace was getting the bro scene out there with everyone dressing like d-loc and reppin the spade on their trucks, tats and profiles becuz of kmks music and just being proud 2 be suburban....

its like when twiztid came around with the braids, the style they dressed and lingo like "mothafacko" twiztid influenced the image of juggalos, same for kmk and the srh look...

you rarely see swollen or the other groups rep it, i dont see how srh is gonna get any gain from losing the band that gave them the image to market their shirts...srh is for dirtbike riders, surfers, stoners, and most of the time out here in cali the kids that like kmk are kinda racist and love kmk for just being white kids, they aint really into the pure hip hop like swollen and nostra becuz kmk talked about growin up in the burbs..

im very confused and hurt by this becuz X and Zinger brought our lifestyle out here to the masses. kids thought kali was all gangsta rap and the burbs were looked at as weak sauce, but subnoize went against that and was successful. im pist about this cuz i love kmk right up there with ICP, i know kmk aint wat they used to be but neither is icp, sometimes i feel like some of these artists just use subnoizes resources to feel like their music is still wanted and they dont need the radio, please....

i love madchild and swollen but they are mainstream to the music world, all those juno awards and hit albums in canada, kmk was just a small indy band, it seemed like zinger was all about swollen...swollen would leave in a heartbeat to sign to a major label that will kiss their ass

back in the 90s being on a label was a luxury..

.they would give u a big budget for videos, tour buses and give u lots of money to record the album....sometimes they put too much money into projects and created debt..

.i liked when icp and kmk were on major labels cuz the overall quality of their music and their videos were amazing...

now its all indy and they can rush projects and not worry about things which give us more material

but we all bitch and gripe about missin the milenko ICP and the high society kmk when most juggalos dont factor in the fact they were on major labels and had higher standards to get their projects out...the music was just amazing back then,

kmk was told by capitol records they wouldnt release hidden stash 1, kmk had to sign to a beastie boys side label to put that out on the side...icp always did eps on their own labels, but u guys even know the EPs werent polished like the LPs they put out on the majors. today u dont need a label cuz they cant give u money for recording or music vids. u can just do it alone

that whole kevin zinger / daddy x drama really got under my skin cuz i live here in the LBC and KMK are local legends, we all smoke pot out here its just so god damn normal sometimes its mind blowing lol…to see kmk and srh splitting might be better for the kings cuz in 2007 myspace got overunn with the bro movement who took the D-Loc image, repped SRH but didnt have the values KMK preaches & its left a bad taste on their music cuz broes are associated with them when its really srh they liked.

when the broes started showin up at shows i saw the kings change bigtime.

they didnt really wanna come out and shake hands and smoke with fans cuz these new broes were just bullies and so called kool kids. rollin stoned was the last year of pure kmk fans and juggalos being their main fanbase. it was fun and they rocked the house. once the broes came and tried to claim their scene KMK looked miserable alot and stayed away from fans at shows and u can see the aggrivation in their personalities but they were making money so how could they really complain? it was weird as hell

i worked backstage for one session at all their keyclub and roxy shows in LA and u could see str8 up D-Loc walk in the backstage and just look around and left cuz all these broes were just assholes. i never blamed kmk for changing cuz their new fans didnt get wat it was about and most didint even smoke weed