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HatchetmanJason
Help me write a Artist Statement
December 20, 2016
3:37 am
Noah Fence
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While talking with a friend of mine about her artist statement, I've decided that I wish to update mine. I'm going to post it below, behind a spoiler code and then I'm going to post some art and some questions to help guide through interpreting for the people who arent sure where to start, the same questions I ask myself when looking at other peoples work.

Then, I'd like you to look back at the original artist statement, read it, look at the work again, and tell me if you think the two go together or if you think the artist statement doesn't reflect the art at all, and what you think might need to be stated.

I realize this is a lot of thinking and examining and a lot of you aren't really interested in spending the time or effort to help me become a clearer, more thoughtful communicator, so anybody who does this is really appreciated. 

You can probably help more than you think you can. especially if you're someone who doesn't "get" art. Or who doesn't like anything I've posted. Or if you don't like me.

I first posted this on some of my social media accounts and decided to bring it over here, too, since there are a wider spectrum of viewpoints and people with different levels of artistic sensibility and taste. 

My original statement:

By using items that are easily accessible, I create a multimedia experience which investigates the connection between mysticism and art making. My work is both a critique and a celebration of various aspects of that which we call spiritual, in order to better understand the natural world. Spirituality is an odd area for an atheist to work but I have grappled with trying to understand my spiritual self since a young age, and no religious institution has resonated with me as deeply as art making has.

My work is grounded in mysticism, social justice activism, and counter culture identities. I hope that my work resembles the work of the Insane Clown Posse in that it is the telling of stories about people on the fringe, and how we cope with, and recover from, trauma.

My art practice is also influenced by the works of Neil Gaiman, Dave McKean, Octavia E. Butler, Tananarive Due, Sam Kieth, the Sun City Girls, primitive art practices, the occult, and outsider art.

While working, I get lost in the noise and chaos of my inner self. I try to hone in on an emotional thread that leads to the “eye of the storm” where I’m able to fixate and focus on turning the inner noise into serenity. This is where the art happens. I find the chord that strikes within me and let intuition take control. My art becomes something even I was not expecting because problem solving and improvisation are driving factors in my creative process. I can’t predict what will resonate with me until I am in the moment. I explore different mediums so that I am constantly learning something new in order to push me to find new solutions. The moment when something unexpected happens and I have to adjust is when I really begin to understand what a piece will be. When problems arise, instead of being upset that a project is not what I wish it to be, I turn in to the problem and look for ways to adapt them into the piece.

Although my work tends to have a quite somberness, the loud clamoring of music fuels its creation. Music is always at the center of my art even when I’m working in a medium that does not incorporate sound. The energy and rhythm of drums, the tension of a throbbing bass and the often shouted vocals of punk and hip hop groups drive my work flow by provoking emotion and encouraging me to strive towards being heard.

The Art:

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Questions:

How do you think this was made? What materials and processes do you think were used to create the image as seen?

What do these images remind you of? Is there a social, political, or artistic context in play?

If something confuses you, what? Do you think that confusion was intentional? What do you think the artist wanted you to feel when looking at this?

If you really believed that all lives matter we wouldn't need to say black lives matter

December 20, 2016
5:08 am
scruffy
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i could spend years breakin this down witcha. 

short version:  dont think i can give you what youre lookin for without knowin some fundamentals. 

  awfully paranoid, arent you?   

December 20, 2016
6:46 am
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Psyral
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I flat out don't get art but I see nothing wrong with your original statement.

Not sure how artist statements are presented. I think if you wish to edit it and the statement is presented in multi-media format then you should have your original statement with the edits animate in and alter the statement. That way people see the evolution of the statement. Not sure if that made any sense or is even possible. Just an idea.

(click image for source)   Yeah.gif   (click image for source)
December 20, 2016
10:06 am
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krunk
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Besides maybe changing "quite somberness" to "quiet somberness", for a professional leap you could describe yourself and your escapist technique less, and your artistic mediums/processes more. That way your artist statement would read less like a dating profile and more like a description of the product itself. Gaiman's non-literal advice to one of his graphic artists about considering their audience might apply to you as well, Rob: RIP THEIR HEARTS OUT.

  RAFtn26.gif 3hm5B2c.gif VFyFLdU.gif  

                              

December 21, 2016
12:10 am
JC
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I think your statement is really good! What about it do you want to change?

December 21, 2016
12:55 am
scruffy
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JC said
I think your statement is really good! What about it do you want to change?  

more or less, this is what id go with. 

cuz, i mean, youre the artist, rob, so you would know bestest, yeah? 

 

actually, i got time on my hands...  i could get reeeal detailed with dis ting. 

ifn ya wanted me to. 

  awfully paranoid, arent you?   

December 21, 2016
11:25 am
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Nyro
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Not here to critique your statement because it looked fine to me but I would like to state I really like how flexible you are as an artist.  

I collect local art and I am absolutely floored by the fact you use so many different mediums and have so many different styles at your disposal.  All the while remaining genuine to yourself and conveying a message.  Hats off to you for that. 

December 21, 2016
3:23 pm
Noah Fence
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Psyral Infection said
I flat out don't get art but I see nothing wrong with your original statement.

Not sure how artist statements are presented. I think if you wish to edit it and the statement is presented in multi-media format then you should have your original statement with the edits animate in and alter the statement. That way people see the evolution of the statement. Not sure if that made any sense or is even possible. Just an idea.  

I think you "get art" more than you realize. A lot of people are off put by modernist and post modernist work because they expect it to have some super deep meaning but it's all about context and relation. Like, without reading my statement if you answered the questions I posted you'd probably get really, really close to my intent. I'm hoping to help people get even closer.

scruffy said
i could spend years breakin this down witcha. 

short version:  dont think i can give you what youre lookin for without knowin some fundamentals.   

Basically, I just don't think I communicate enough about what my art "is". I wrote the statement during my second art class, and now I've had a lot more and I think I've grown a lot as an artist and I wonder what people read in my work as opposed to what my original intent is. And I'm curious if my statement is too cluttered with experiential info and not enough descriptive info (which is hard with how varied my work is).

krunkazphuk said
Besides maybe changing "quite somberness" to "quiet somberness", for a professional leap you could describe yourself and your escapist technique less, and your artistic mediums/processes more. That way your artist statement would read less like a dating profile and more like a description of the product itself. Gaiman's non-literal advice to one of his graphic artists about considering their audience might apply to you as well, Rob: RIP THEIR HEARTS OUT.  

oh good catch, thanks. 

I'll give a run at being clearer about my practices.

JC said
I think your statement is really good! What about it do you want to change?  

I was talking with my friend about their artist statement and how they present their work. Theirs has brevity and wit and charm. Like you get a real sense of who they are as a person but also a clear understanding of their work. I think I'm just jealous of that. Like, you could take their artist statement and draw their paintings, but they also have a much more consistent style and subject. I dunno. I think I just want to see if I'm still saying what I think I'm saying and see how I can fix it up.

scruffy said

more or less, this is what id go with. 

cuz, i mean, youre the artist, rob, so you would know bestest, yeah? 

 

actually, i got time on my hands...  i could get reeeal detailed with dis ting. 

ifn ya wanted me to.   

Please, do. If you still have the time.

Nyro said
Not here to critique your statement because it looked fine to me but I would like to state I really like how flexible you are as an artist.  

I collect local art and I am absolutely floored by the fact you use so many different mediums and have so many different styles at your disposal.  All the while remaining genuine to yourself and conveying a message.  Hats off to you for that.   

Thank you. 

If you really believed that all lives matter we wouldn't need to say black lives matter

December 21, 2016
4:44 pm
scruffy
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well... 

for starters, writing is an art medium in itself.  can always approach it like that. 

 

next, im guessin this is for a class or sumn? 

as an artist, ive never felt any need to have a written mission statement.  more the opposite, in fact.  but i am much more of a formal artist than you are. 

if this needs to be submitted to somebody for approval, then write whatever they wanna read.  or better yet, write what they didnt realize they wanted to read until after they read it. 

 

for some breakdown stuff, though... 

you cant really get scientific about art, naturally, but still, people have tried, and ive borrowed some of those notions. 

example:  long story short, when you reverse-engineer youre own work [or anyone elses, if you know enough about it], you eventually come to one of two 'why am i doing this?' roots:  loosely, form and content;  better description, to explore the possibilities of the medium, or to use the medium as a vehicle to deliver the message/feeling, or tell the story.  [credit on this goes to scott mcclouds book understanding comics, which anybody who draws should definitely read]. 

as an 'elvis vs the beatles' mental exercise, which way do you lean?  meaning, ya cant just say both; every artist does both, if they wanna stay bein an artist. 

  awfully paranoid, arent you?   

December 22, 2016
6:41 pm
Noah Fence
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The original one was for class. I find it's just a good practice to have one so that people can understand your work clearer. Like, it's the cheat sheet for people who throw up their hands and say, "but how is this art". I'd like people to look at my work, make their own assumptions and guesses, read my statement and then be like "oh that's really interesting and I hadn't thought of it that way but like here this part is so true like that's exactly what I saw blah blah blah.

I love scott mcclouds work with comics. I don't really draw, but they were very informative for when I was trying to get into comics.

I'm not really sure I understand the beatles v elvis thing. I get distracted by the names, and would say neither. I'm less interested in pop culture work and more interested in the practice of being.

I'm really on this kick right now of thinking of art as a religious practice. I was thinking about this a lot with the Marvelous Missing Link, especially found. The word link, to me, reminds me of something that connects people to each other. I know they were going for the play on the evolutionary missing link and the sorta strong man type side show freak that often takes that name, but to me, I think of the link that connects me to other people.

Which is and has always been art, even long before I made art. So in the elvis or beatles discussion I'd say, I guess, Elvis, who took songs that everybody knew and reworked them for a new audience, helping bridge the gap for white kids into the lives of the black artists he copied from, though he did it in an exploitative way. He had a round about way of bringing people together, I suppose. 

If you really believed that all lives matter we wouldn't need to say black lives matter

December 22, 2016
6:48 pm
Noah Fence
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To give you an idea of the professional practice version is this:

This artist is someone I was reading about today.

Her statement is:

Below the surface of Shantell Martin’s characteristic black and white compositions is an artists’ inquiry into the role of artist and viewer. In Martin’s world, a work of art is inseparable from its creator and its audience, and art is more than an object of admiration disconnected from the process of its inception. Rather, she sees her work as a vehicle to forge new connections between education, design, philosophy and technology — the glue in an increasingly interdisciplinary world. Martin’s methodical practice of bringing her audience and surroundings into her drawings is her own reflection on ever changing time and space. Her work is imbued with a sense of duty; the call of an artist to make the connections often invisible to those working within their respective areas of expertise.

Martin’s work with institutions such as the MIT Media Lab, Autodesk and New York University’s Tisch School of the Arts denote her ongoing inquiry into new models and technologies that are transforming the way art is made and consumed. Eschewing traditional art world norms, Martin’s work purposefully bridges fine art, performance art, technology and commercial work. Her artwork has appeared in the Brooklyn Museum, Museum of the Contemporary African Diaspora, Bata Show Museum and she is preparing for a 2017 solo show at the prestigious Albright Knox Gallery in Buffalo, New York.

feature=youtu.be

That video is another example of her work, with Kendrick Lamar.

Another artist I was looking at today is Kehinde Wiley, and his statement is:

Los Angeles native and New York based visual artist, Kehinde Wiley has firmly situated himself within art history’s portrait painting tradition. As a contemporary descendent of a long line of portraitists, including Reynolds, Gainsborough, Titian, Ingres, among others, Wiley, engages the signs and visual rhetoric of the heroic, powerful, majestic and the sublime in his representation of urban, black and brown men found throughout the world.

By applying the visual vocabulary and conventions of glorification, history, wealth and prestige to the subject matter drawn from the urban fabric, the subjects and stylistic references for his paintings are juxtaposed inversions of each other, forcing ambiguity and provocative perplexity to pervade his imagery.

Wiley’s larger than life figures disturb and interrupt tropes of portrait painting, often blurring the boundaries between traditional and contemporary modes of representation and the critical portrayal of masculinity and physicality as it pertains to the view of black and brown young men.

Initially, Wiley’s portraits were based on photographs taken of young men found on the streets of Harlem. As his practice grew, his eye led him toward an international view, including models found in urban landscapes throughout the world – such as Mumbai, Senegal, Dakar and Rio de Janeiro, among others – accumulating to a vast body of work called, “The World Stage.”

The models, dressed in their everyday clothing most of which are based on the notion of far-reaching Western ideals of style, are asked to assume poses found in paintings or sculptures representative of the history of their surroundings. This juxtaposition of the “old” inherited by the “new” – who often have no visual inheritance of which to speak – immediately provides a discourse that is at once visceral and cerebral in scope.

Without shying away from the complicated socio-political histories relevant to the world, Wiley’s figurative paintings and sculptures “quote historical sources and position young black men within the field of power.” His heroic paintings evoke a modern style instilling a unique and contemporary manner, awakening complex issues that many would prefer remain mute.

And there's his work. 

Basically I'm just trying to sound more professional and updated and be better at saying what I'm trying to say about art.

If you really believed that all lives matter we wouldn't need to say black lives matter

December 23, 2016
12:24 am
scruffy
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Noah Fence said  
I'm not really sure I understand the beatles v elvis thing. I get distracted by the names, and would say neither.  

most musicians would get this right away. 

the idea is, which one do you clearly lean toward, since everybody knows you probably like both to some extent.  [musicians, recall] 

but you cant say both; you gotta look at your beliefs, and solidly come down on one side, or the other. 

so, a winner-take-all of your motivations.  kinda.  exploring the medium itself vs using the medium to convey something. 

 

far as the rest... 

mostly, looks to me like you need a pr rep. 

or at least, you just need to write what a pr rep woulda wrote, if you had one. 

that gettin close? 

  awfully paranoid, arent you?   

December 23, 2016
12:48 am
King Lucem Ferre
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He's a Beatles we all know it.

December 23, 2016
3:09 am
Noah Fence
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King Lucem Ferre said
He's a Beatles we all know it.  

Fuck you too lol.

scruffy said  

far as the rest... 

mostly, looks to me like you need a

or at least, you just need to write what a pr rep woulda wrote, if you had one. 

that gettin close?   

More or less, but also something that is kinda like a personal statement of intent. A lot of the ones that I have been reading  this week are in third person. I don't recall why I chose first person. I do recall telling my teacher it had to be first person. 

If you really believed that all lives matter we wouldn't need to say black lives matter

December 23, 2016
3:18 am
Noah Fence
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Since you mentioned Scott Mccloud

In the breakdown that he gives of animus / formulist and classicist / iconoclasts

I'm usually in the animus and iconoclast quadrant, but venture over to the formulist and iconoclast am side a bit but rarely get any appreciation of beauty. Even when I dig into form, it's a deconstruction, not a careful exploration of form. Anything with a rigid structure is an instant turn off. 

Impulse and intuition or resistance to "the right way" are much more fun. 

If you really believed that all lives matter we wouldn't need to say black lives matter

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